Posted by Behind the closed – and often locked – door of British hospitals, hospices and care homes, a grim reality unfolds daily. It’s hard for most people to accept but it’s a painful truth: the most vulnerable members of our society are being involuntarily euthanised in NHS facilities across the UK. This is no longer a fringe conspiracy – it’s a well-established and well-documented pattern spanning decades, criminally accelerated during the fabricated covid pandemic. Thousands of innocent souls have met premature ends through lethal protocols disguised as “end-of-life care,” often without family knowledge. Investigative journalist Jacqui Deevoy has fearlessly illuminated this horror. Her trilogy of documentaries – ‘A Good Death?’ produced with Ickonic Media, ‘Playing God’ directed by award-winning filmmakers Ash Mahmood and Naeem Mahmood, and ‘UNSEEN’ created with filmmaker and podcaster Richie Brown – lays bare the evidence. Viewed by millions globally, these films compile whistleblower testimonies, medical records and bereaved families’ accounts of midazolam injections, Do Not Resuscitate orders slapped on without discussion, and “palliative” drugs that hastened death. Yet the mainstream media remains deafeningly silent. Corporate gatekeepers, beholden to Big Pharma and government narratives, bury the truth. Why? Because exposing this would unravel the illusion of compassionate healthcare and reveal a state-sanctioned depopulation agenda. Undeterred, Deevoy escalates the fight for justice with a groundbreaking book: ‘MURDERED BY THE STATE’. The contents of this book isn’t abstract theory; it isn’t a conspiracy – it’s a visceral anthology of 42 real-life stories, penned by devastated relatives whose loved ones have been callously dispatched via deadly pathways disguised as ‘care’, using killer cocktails of death row drugs and death-hastening protocols. Edited by Deevoy and assisted by author Richard Cox, the collection chronicles the agony of relatives, destroyed by the murder of their loved ones in chilling accounts: elderly parents sedated into oblivion, brothers and sisters put on covid death pathways, physically healthy husbands and wives labelled “terminal” and family members with mental health issues deemed no longer fit for this world. One account details a vibrant grandmother, admitted to hospital after a dizzy spell, who received a cocktail of opioids and sedatives until her heart stopped. Another exposes a young man in a mental health unit exterminated silently with no family consultation and many euthanised after being diagnosed with a killer virus which later was declared not dangerous at all, that’s if it ever existed. These stories aren’t isolated incidents; they’re systemic. Protocols like the Liverpool Care Pathway (rebranded but not reformed) and 2020’s NG163 guidelines enabled mass involuntary euthanasia under the cover of ‘covid’. Midazolam prescriptions skyrocketed, correlating with excess deaths in care homes. Whistleblowers report quotas, bonuses for “pathway” compliance and families coerced into silence. Deevoy’s work builds on decades of suppressed reports – from the 1990s scandals to today’s inquiries that whitewash the evidence. Her films have sparked petitions, parliamentary questions and survivor networks. Now, the book arms us with irrefutable narratives that demand further investigation and, of course, justice.
Who Watches the Watchers? 